Realising that our folie could only be a
maximum of 5m high and that the existing elements on the site (the Story Bridge
and the Cliffs) dwarfed this, we decided to take advantage of the cliff face to
enhance the use of intimidating scale.
By putting the folie against the cliffs
and having a slit cut into the roof, only a small amount of light can penetrate
the space, drawing the occupants’ attention. By looking up and out of the
slice, the occupant can see the vast height of the cliff face, immediately
becoming humbled by the intimidating form.
By cutting into the cliff face and using
the natural rock face as part of the design also enhanced the disturbing feeling
of helplessness and isolation.
To develop the disconnection to reality,
and to eliminate light from a doorway, it was decided that the entrance should
be an experience where the occupant must walk through an angled corridor to
enter the cavernous space inside. To increase the sense of height of the
cliffs, it was also decided that this entrance way should lead down a flight of
stairs.
Concerned that an occupant would not receive the
message of how small they and their problems are in comparison to the rest of
the world, it was decided that the internal space should be fitted with
invisible screens that flicker to life when the space is occupied. It is
designed so that a small screen comes to life showing real time footage of the occupant
in the space, then this small screen is dominated with numerous larger screens
illustrating historic achievements and devastations, putting into perspective
the occupant, deconstructing the self-centred point of view.
When determining the exact location to put the
folie, we discussed what should be seen when looking up through the slit in the
roof, and what should be seen when exiting the bridge. From these conditions,
we sought a space along the cliff with limited vegetation and where the Story
Bridge would be seen upon exit, reiterating the images on grand scale
achievements from the screens.
The folie can be seen in the small box at the base of the cliffs |
To relate the folie back to the site yet
maintaining a distorted perspective, it was also determined that distorted
reflective metal, like that of the “Bean” in Chicago, would be mixed with the
concrete blocks on the exterior.
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